MEJOR
QUE AYER
Inspired by early mornings en las calles de mis padres.
Papayas under moonlight. Wires catching the sunrise.
Flowers waking up. A familiar street becoming beautiful
because I finally stopped long enough to see it.
Better does not mean perfect.
“Mejor que ayer” became less of a destination
and more of a practice.
Look again.
Make something.
Try again tomorrow.
During difficult seasons, these ordinary morning scenes
became little places to rest. Painting them gave those moments
somewhere to stay.
I don't need the painting to copy the photograph.
The photograph documents what happened. Painting lets memory decide what mattered.
The street gets remembered differently.
Cables can become darker.
Sky can become bluer.
Light can become more dramatic than it was.
That space between what the camera saw
and what I remember feeling is where the painting lives.
Take a morning home.
The collection currently centers on three images: the street, the papaya tree and the flowers.
Papaya, Bien Temprano
Papaya trees, tropical color and those strange quiet hours when the moon has not completely left yet.
Buen Día, con Flores
For the collector who wants the actual surface:
the brushwork, texture, revisions and hand of the studio.
This is not a reproduction.
This is the original painting itself.
The messy part is part of the work.
Reference photos, digital sketches, dirty water, palettes and canvases in various stages of becoming.
There will be more mornings.
The collection stays open. Whenever another ordinary moment makes me stop and look twice, another work can enter it.
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